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    13 July

    文字和音乐

    死神作为几百集的动漫,一些配乐方面的粗疏是无法避免的,不过都在我可以接受和理解
    的范围内,更多时候,对于个别场次中让人喜爱的处理给我留下更深的印象。片头和片尾
    曲前后已经很多组了,自己确实喜欢的大概是2、3首,不会盲目称赞音乐如何的好,不过
    对于几百集的动漫来说,至少是中上水平.
    在这个热血动漫里,除了常见低音贝司、鼓、高音吉他、旋律键盘的常规搭配,还有一些
    十分纯净的声音,先后出现的比如小提琴、大提琴、木琴、钢琴、很古典的管风琴、古典
    吉他、人声等等环节,都让我十分喜爱呢。
    一些配音的小细节都很可爱,比如15集里,夜一变的黑猫和喜助见面。喜助把猫咪夸张地
    抱起来,很欢乐的吆喝着“高高举起~”,猫咪在最后很轻的咕噜了一声,嘿嘿,用音箱
    听的时候根本没有注意到,重看时候戴着耳机才发现了这一声,会心一笑啊~~
     
        经常会比较赞赏那些能通过各种方式表达自己的人,这个热血动漫中处处表露着这些
    痕迹,作者用各个人物的言行和画面表达着自己的哲学,自己的喜好。比如作者多次在单
    行本的卷头中创作诗句,也经常给重要人物诗一样的一个概括性文字。漫画内各处,常出
    现有关一队已解散的美国摇滚乐队“超脱合唱团(Nirvana)”的词句。诸如此类。不喜
    欢有些吵吵闹闹个没完的动漫,不喜欢为了搞笑而搞笑的桥段。所以乐于接受死神中的那
    些表达,这个世界上的哲学已经被说尽了,但是乐于接受那些去表达它们的不同故事。
     
    比较有意的放纵自己的心情去看这个故事,我想,这也没什么不好,毕竟我们常常说服和
    提醒自己怀疑人怀疑世界怀疑理想怀疑真诚怀疑和自己不一样的生活,不常投入。我很愿
    意在某个暗夜独自一人投入的看一个故事,跟随它的变迁去挥洒喜怒哀乐。
     

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